ABOUT

ABOUT SUPERMUSICVISION

SuperMusicVision (SMV) is the vehicle for the creative and professional work of Los Angeles-based music supervisor, record producer and DJ, Thomas Golubić, along with his talented group of colleagues. The SMV team currently includes Olivia Schlichting, Jackie Westfall, and Maiko Overton.

SMV has a broad list of clients, covering projects in a number of creative and professional fields. Primarily our work is geared toward that magical merging of music and picture. SMV creates unforgettable moments where the perfect song meets the perfect scene with a special focus on top-tier television productions, including Better Call Saul, Breaking Bad, The Walking Dead, Halt and Catch Fire, and Six Feet Under.

Current and upcoming television projects include: Poker Face (Peacock), Mayfair Witches (AMC), Your Honor S2 (Showtime), Silo (Apple), Seal Team S7 (Paramount+), Constellation (Apple), among others.

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CONTACT

If you would like to discuss hiring SMV for your projects: Contact SMV

THE TEAM

THOMAS GOLUBIĆ

Thomas Golubić is a four-time Emmy-nominated music supervisor, DJ and twice Grammy-nominated record producer. His music supervision credits include the AMC series Better Call Saul, Breaking Bad, Halt and Catch Fire and The Walking Dead, the Netflix series Grace and Frankie and Love, the Amazon series Sneaky Pete, the Showtime series Ray Donovan, and the HBO series Six Feet Under among many other film & television projects. In 2017 Thomas became the president of the Guild of Music Supervisors, the same year he was nominated for the first Outstanding Music Supervisor Emmy Award for his work on Better Call Saul. He received subsequent nominations again in 2019 and 2020. The Guild twice awarded Thomas with Best Music Supervision in a Television Drama for his work on Breaking Bad.

Thomas was twice nominated for Grammy awards for producing volumes 1 and 2 of the Six Feet Under soundtrack album, and with former partner Gary Calamar was responsible for the use of Sia’s “Breathe Me” in the final scene of the series. It is considered one of the most memorable uses of music in television, and launched Sia’s music career in America. Thomas is also responsible for producing four soundtrack albums for The Walking Dead, the Breaking Bad and Better Call Saul soundtracks, and has assembled various remix projects for EMI-Capitol Records and MGM, including reinterpretations of Peggy Lee, The Beach Boys, Henry Mancini’s Pink Panther theme and EMI’s Christmas Classics remix compilation ‘Merry Mixmas’.

Thomas’ formative years, musically speaking, were spent as a DJ, music programmer and on-air host for tastemaker LA radio station KCRW 89.9 FM. After ending his 10-year residency at KCRW, he turned his attention to music production and live audio/video DJ work. He formed The Arbiters, a music collective creating mash-up music and video productions, free-released two EPs, and created audio and video mash-up productions for clients including Google, YouTube, Microsoft and Levi’s.

Thomas has also become known as an innovative club DJ spinning broadly eclectic music sets, often with live synchronized visuals. His SYNCHRONIZE re-score project, featuring live DJ re-scores of classic films has been featured at the Sundance Film Festival, Bonnaroo Music & Arts Festival, Luminato Festival in Toronto, Dubrovnik Film Festival, U.S. Comedy Arts Festival, various residencies in Los Angeles, and has been profiled on Turner Classic Movies. Currently Thomas can be heard hosting his podcast: Deep Cuts Lost and Found with his best friends from Needham high school.

OLIVIA SCHLICHTING

Olivia Schlichting is a music supervisor and coordinator for SuperMusicVision. Passionate about storytelling, she has a BA degree in Narrative Media and Culture from Antioch University and an AS degree in Screenwriting from MCTC in Minneapolis. She won first place for “Women in Cities & The Art of the Flâneuse” in Antioch’s 2019 Research Paper Award, stemming from her interests in travel and women artists and filmmakers, arguing for the importance of access to public space for the creative brain. She got her start in the film industry as a script reader, later becoming a talent agency coordinator. This administrative experience bolstered her with the skills to design and develop a fully functioning music supervision database for SuperMusicVision. Inspired by her musical upbringing, she was often promoting bands, working in venues, and DJing for events and radio. This dual life of one foot in cinema and the other in music led her down the path of music supervision. Her credits include series Better Call Saul, Anne Rice's Mayfair Witches, Poker Face, Your Honor, Space Force, Netflix's Cowboy Bebop, feature films Glorious and Suitable Flesh, among others. As an active member in the sync community, Olivia has also served as the Operations Manager for the Guild of Music Supervisors, and formerly the Operations Coordinator and Organizing Committee Liaison. She can often be found biking or dancing around LA, plus advocating for the unionization of music supervisors.

SMV EMERITUS

SMV has had the pleasure of working with many talented colleagues over the years, and would like to acknowledge the invaluable contributions of past team members and dear friends, Garrett McElver, Yvette Metoyer, Michelle Johnson, and Miranda Jackson.